Cyanotype / Sun Print
Best for:
Art printsSocial media postsBotanical artHome décorGreeting cardsDesktop wallpapers
Sample prompt used to generate the hero image
Cyanotype sun print of a botanical specimen — fern fronds arranged on chemistry-coated paper, creating a white silhouette against deep Prussian blue, 3:4 vertical format. The fern's individual pinnae (leaflets) are clearly defined as crisp white shapes. The background is rich, deep Prussian blue with subtle tonal variation. Visible hand-applied chemistry edges — the blue fades to raw white paper at the borders with visible brush strokes. The print shows the slight texture of watercolor paper. Authentic Anna Atkins / historical photogram aesthetic. Prompt Variations
Section titled “Prompt Variations”Cyanotype of [PLANT/BOTANICAL], white silhouette on Prussian blue, crisp leaf/petal detail, brush-stroked edges, watercolor paper texture, Anna Atkins aesthetic, [FORMAT]. Cyanotype photogram of [OBJECTS — e.g., keys, watches, tools, feathers] arranged on paper, white silhouettes on blue, hand-applied edges, [FORMAT]. Cyanotype-style portrait of [SUBJECT], deep blue tones, white highlights, brush-stroked chemistry edges, watercolor paper, [FORMAT]. Cyanotype landscape of [SCENE], deep Prussian blue tonal range, white highlights, chemistry-edge borders, paper texture, [FORMAT]. Tea-toned or bleached cyanotype of [SUBJECT], split toning — warm sepia in the highlights, Prussian blue in the shadows, alchemy aesthetic, [FORMAT]. Create a cyanotype sun print of [PLANT/BOTANICAL] — a crisp white silhouette against deep Prussian blue, every leaflet and petal clearly defined. Hand-applied chemistry edges where the blue fades to raw white paper with visible brush strokes. Watercolor paper texture. Anna Atkins historical photogram aesthetic. 2:3 vertical format. Create a cyanotype photogram of [OBJECTS — e.g., keys, feathers, and a pocket watch] arranged on chemistry-coated paper — white silhouettes on rich Prussian blue, brush-stroked hand-applied edges, subtle paper texture. 1:1 square format. Create a cyanotype-style landscape of [SCENE] — a deep Prussian blue tonal range with white highlights, monochromatic two-tone rendering, chemistry-edge borders fading to raw paper, watercolor paper texture. 3:2 landscape format. cyanotype sun print of [PLANT/BOTANICAL], white silhouette on deep Prussian blue, crisp botanical detail, hand-applied chemistry edges, brush strokes, watercolor paper, Anna Atkins photogram --ar 3:4 --s 150 cyanotype photogram of [OBJECTS], white silhouettes on Prussian blue, hand-coated paper edges, brush marks, historical sun print aesthetic --ar 1:1 --s 150 cyanotype portrait of [SUBJECT], deep Prussian blue tones, white highlights, brush-stroked chemistry edges, watercolor paper texture --ar 3:4 --s 200 cyanotype sun print, [PLANT/BOTANICAL], white silhouette on deep Prussian blue, photogram, hand-applied chemistry edges, brush strokes, watercolor paper texture Negative Prompt
color, sepia, photograph, digital filter, sharp studio lighting cyanotype landscape, [SCENE], monochromatic Prussian blue and white, two-tone print, chemistry edge borders, paper texture, historical alt-process photography Negative Prompt
full color, modern photo, oversharpened, low quality Image-to-Image Transformations
Section titled “Image-to-Image Transformations”Using the attached photo, recreate it as a cyanotype sun print. Convert to two-tone — deep Prussian blue for shadows and midtones, white for highlights. Add hand-applied chemistry edges with visible brush strokes fading to raw paper. Watercolor paper texture. Anna Atkins / historical photogram aesthetic. [Upload Photo] "Recreate this photo as a cyanotype sun print — strictly two-tone deep Prussian blue and white, with hand-applied chemistry edges, visible brush strokes fading to raw paper, and watercolor paper texture." [IMAGE_URL] cyanotype sun print, deep Prussian blue and white two-tone, hand-applied chemistry edges, brush strokes, watercolor paper texture --iw 1.2 --ar 3:4 Tips & Best Practices
Section titled “Tips & Best Practices”- Prussian blue is the only color: Cyanotype is strictly monochromatic Prussian blue + white. No other colors.
- Brush-stroked edges: “Hand-applied chemistry edges” where the blue fades to raw paper with visible brush marks authenticates the process.
- Anna Atkins reference: The first photographer to use cyanotype for botanical specimens. Her name anchors the aesthetic.
- Pairs well with: Daguerreotype / Tintype (same era alt-process photography), Botanical Illustration (botanical subjects)